Ara Pacis
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What you need to know about the Ara Pacis
The Ara Pacis, or Augustan Altar of Peace, is an extraordinary monument in Rome, Italy. It was commissioned by the Roman Senate in 13 BC to honor Emperor Augustus and celebrate the peace and prosperity brought to the Roman Empire after his military victories in Gaul and Hispania. The altar was dedicated in 9 B.C. and was originally located in the Campus Martius. This monument is a masterpiece of Augustan art, richly decorated with reliefs reflecting themes of peace, family, and the blessings of stability achieved under Augustus. It is carved with detailed scenes of religious ceremonies, allegorical figures representing the values of Rome, and members of the imperial family. Prominent among the main scenes are a procession of priests, senators, and family members of Augustus, highlighting the dynasty and emphasizing social harmony and continuity. Today, the Ara Pacis is housed in the Ara Pacis Museum, a modern structure designed by architect Richard Meier and located near the Tiber River. The museum allows visitors to admire the exquisite details of the altar and delve into the historical context of Augustus’ reign. It remains one of the finest examples of ancient Roman art and propaganda, offering valuable evidence of the values and aesthetics of the Augustan era. The Ara Pacis consists of a rectangular enclosure with an inner altar and represents one of the most important works of Roman art for its historical and symbolic value. Here are some interesting facts and additional details:
Original Location and Displacement: The altar was originally placed in the Campus Martius, in an area designated for military celebrations and public ceremonies. In later centuries, it was buried by sediment from the Tiber River, and its remains were not rediscovered until the 16th century. However, it was not until the 1930s that the Ara Pacis was finally reconstructed and placed in its current location in a dedicated museum.
Artistic Details and Symbolism: The Ara Pacis is famous for its sculpted reliefs depicting religious and social themes. The decorations depict scenes such as: The Imperial Procession a parade of priests, nobles and members of the imperial family, including Augustus himself, emphasizing family and dynastic continuity. Mythological and allegorical panels: include figures such as Tellus (the Earth) symbolizing abundance and fertility, with references to nature and harvest. Imperial Rome panels: depictions of Rome as a dominant and prosperous force, a female figure representing the city with helmet and armor.
Richard Meier’s Museum and Design: The Ara Pacis Museum, designed by Richard Meier, opened in 2006. The modern building, made of glass and white concrete, has provoked several discussions, mainly because of its modern aesthetic that contrasts with the surrounding historic context. However, the structure provides protection and brightness to the Ara Pacis, allowing visitors to admire the details with natural light.
Historical Significance: The Ara Pacis is not only a religious monument, but also an instrument of political propaganda. Emperor Augustus wanted to convey a message of peace and prosperity, emphasizing him as “father of the fatherland” and founder of an era of stability. The carved images symbolize the unity of the empire and the greatness of Rome under his command.
Conservation and Restoration Techniques: Over time, the Ara Pacis has undergone various restorations to recover and preserve its original beauty. Today, thanks to advanced conservation techniques, it is possible to better preserve and study the original artistic details and materials, allowing a deeper understanding of Roman art and culture.
Curiosities
Rediscovered in the Renaissance: During the Renaissance, the remains of the Ara Pacis were first discovered under the Peretti Palace (now the Fiano-AlmagiĆ Palace) on Via in Lucina, but they were not immediately recognized for what they represented. Only in 1859 did archaeologists begin to reconstruct the monument’s origin.
Reconstruction in the 1930s: In 1937, on the occasion of the bimillennium of Augustus’ birth, Benito Mussolini decided to have the Ara Pacis rebuilt as a tribute to the Roman Empire. A complex excavation and recovery of scattered fragments was carried out, rebuilding the monument next to the Mausoleum of Augustus.
An astronomically oriented monument: The Ara Pacis was designed with a specific position in relation to sunlight. Each year, on September 23, Augustus’ birthday, the sun would cast its light in a particular way on the monument, creating a symbolic effect of homage to the emperor.
The mystery of some missing panels: Not all the decorative panels of the Ara Pacis have been found, and some elements have been reconstructed based on fragments or historical descriptions. The reconstruction is therefore based on a mix of archaeology, historical research, and artistic hypotheses, but this has added an aura of mystery to the monument.
Sculpted flora: One of the most fascinating details of the Ara Pacis is the representation of flora: there are more than 50 species of plants in the decorations, all sculpted with extreme precision. This choice emphasizes Augustus’ connection with nature and the prosperity he was thought to have brought to the empire.
A monument for propaganda: Augustus used art and architecture as propaganda tools to consolidate his power. The Ara Pacis is a perfect example of this approach: it celebrates peace, but it is also a statement of authority and legitimacy, showing Augustus as a guarantor of stability and prosperity for Rome.
A replica in China: There is a scale replica of the Ara Pacis in China, located in the “Window of the World” theme park in Shenzhen. The park contains miniatures and replicas of famous monuments from around the world, including the Ara Pacis, allowing visitors to explore a version of the world’s masterpieces without leaving the country.